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This valuable compilation of articles offers original, historical, biographical and literary perspectives on the works of Stendhal. Eleven essays plunge the reader into Stendhal's mythological universe, providing new insights into the network of symbols, images and obsessional themes that run through his works. This multi-faceted collection examines Stendhal as the problematic subject for a biography, as autobiographer in his own right, as journalist, novelist, and innovator in the realm of fictional devices, and as the great representative of that literature of ideas first acclaimed by Balzac. Topics addressed include the writer's own enigmatic persona, his autobiographical writings, his encounter with George Sand, and his journalistic career in Italy, as well as the structure imposed on his novels by an Oedipal conflict he himself perceives in pre-Freudian terms, his experiments with multiple narrative point of view, and a feminist perspective on his use of the epistolary form as a device to enhance the plot.
AVRIEL H. GOLDBERGER is Professor and Chairman of the French Department at Hofstra University.
Stendhal--A Writer for Today by Isabelle Naginski The Hofstra Conference: The United States Marks the Bicentenary of Stendhal's Birth by Serge Bokobza Stendhal and the Biographer's Challenge by Gita May Biography and Mythology by Armand Hoog Stendhal and the Written Self by Beatrice Didier Fathers and Sons: The Case of Fran"cois Leuwen by Marcel Gutwirth Two Romantic Models of Octave de Malivert: Napoleon and Byron by George M. Rosa Epistolary Communication in Le Rouge et le Noir: Masculinity and Femininity of the Scriptors by Sylvie Charron Witkin Stendhal and Sand: The Privileged Enemies by M.J. Hoog Aristarchus: Stendhl's Outlook on Literature and Journalism in Romantic Italy by Carolina Donadio Lawson Mirrors and Crystals and Turtledoves Above U: Perspectivism in Stendhal by Michael Vande Berg Reference