Del 186 i serien Studies in Medieval and Reformation Traditions

Spiritual Language of Art: Medieval Christian Themes in Writings on Art of the Italian Renaissance

Inbunden, Engelska, 2014

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Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, etc.), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.

Produktinformation

Utgivningsdatum2014-11-14
Mått155 x 235 x 29 mm
Vikt780 g
FormatInbunden
SpråkEngelska
SerieStudies in Medieval and Reformation Traditions
Antal sidor408
FörlagBrill
ISBN9789004283916

Tillhör följande kategorier

Konsthistoria inom Kultur
Historia inom Historia och arkeologi
Kristendom inom Filosofi och religion
Religion: allmänt inom Filosofi och religion

AcknowledgmentsList of IllustrationsIntroductionChapter OneArt and Compunction: Francesco Bocchi’s Mystical Experience of ArtCompunction in Renaissance Literature on ArtCompunction and Popular Devotion at the Santissima Annunziata in FlorenceFrancesco Bocchi’s Ekphrasis, Catharsis and CompunctionPurging and NourishingChapter TwoLeon Battista Alberti’s ‘De pictura’ and the Christian Tradition of the Liberal ArtsAn Image Formed in the Mind and an Imitation of NatureThe Liberal Arts in Alberti and the Christian TraditionStudy and Composition: Painting as a Form of MeditationA Part and a Whole: Alberti’s BeautyChapter ThreeThe Word of God and the Book of the World in the Writings of Leonardo da VinciLeonardo as a Reader of Spiritual LiteratureTears and Laughter in LeonardoThe World is a BookJudgment and Love: Ogni Dipintore Dipinge SeIn One Instant AloneChapter Four: Part OneImagining the Souls of Holy PeopleLifting the Veil of the BodyThe Soul of a Work of Art: The Agency of Sacred ArtThe Sweetness of Honey: Painted Flesh, Veils and InteriorityPerfection of Body and Soul: The Souls of Artists and of PaintingsChapter Four: Part TwoThe Impossibility of Picturing Virtue: The Face as a Natural SignThe ‘Costume’ of Virtue, Seeing Beneath the Veil and Francesco BocchiChapter FiveInvention and Amplification: Imagining Sacred HistoryGabriele Paleotti’s Theory of Sacred Art and Contemplative AscentHow Images are Like Scripture and Like Sermons in Paleotti’s ‘Discorso’Rhetoric, Reading and Remembering in Pictorial InventionThe Circumstances of Sacred HistoryFrom History of Allegory in Sacred ArtChapter SixVasari’s City of God: Spirituality, Art and Architecture in Vasari’s ‘Lives’ and ‘Ragionamenti’Spirituality in Vasari’s Literary ContextThe Stones of Memory in the Palazzo VecchioThe Architecture of Allegory in Vasari and Hugh of St. VictorThe Time of Allegory and the Space of HistoryConclusionBibliographyIndex