Hecht and Lethbridge see themselves as spearheading a movement that will replace the orthodoxies of New Criticism (and its progeny, including New Historicism) with unorthodox—indeed, revolutionary—ways of reading Edmund Spenser’s poetry. . . .[The book beings ]with Syrithe Pugh’s superb account of how Spenser imitates Virgil. Every Spenserian will want to read the excellent middle section, 'Spenser and Music,' with its complementary essays by David Scott Wilson-Okamura and Gavin Alexander. . . .The promised 'new era of Spenser scholarship' begins to take shape in the final section ('Meter/Moment'), with Hecht’s essay 'Queer/Ordinary: Thinking Spenserian Sex and Aesthetics,' Lethbridge's extension of his case against 'expressivist' reading, and Gordon Teskey's bravura display on The Faerie Queene as 'a poem of moments.'. . . .Summing Up: Highly recommended.