Beställningsvara. Skickas inom 7-10 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.
This book examines coverage of the Spanish Civil War by the leading French and British newspapers, and agencies like Havas and Reuters. Their foundational reporting created a bedrock of ‘shared news’, which reverberated in places as geographically and ideologically remote as Moscow or Berlin.It focuses on how key events like the mass killings in Badajoz, the siege of the Alcázar of Toledo, the Battle of Madrid, and the bombing of Guernica broke as immensely impactful news stories. By returning to first news, we can view familiar events with fresh eyes. For example, reporting on the siege of the Alcázar was shaped by Republican control of Toledo and had little in common with later Nationalist triumphalism. Guernica is studied as a breaking news story, but also as the culmination of a series of destructive aerial bombardments, including Madrid and Basque towns, which all fed into Picasso’s masterpiece. This book charts the links and transitions between day-to-day reporting, journalistic reportage, and transformative mythmaking.Minchom utilizes a wide range of material from newspaper libraries, digital resources and extensive archival research. The author draws on his interviews and correspondence with Sir Geoffrey Cox (1910–2008), News Chronicle’s Madrid correspondent in November 1936.
Dr Martin Minchom is an independent Madrid-based historian. His publications include The People of Quito, 1690-1810 (1994), Spain’s Martyred Cities (2015), and Spanish editions of the work of foreign correspondents.
Preface and acknowledgementsAuthor’s notePART I: HOW WAS THE WAR REPORTED?Chapter 1: The press in Britain and FranceChapter 2: Mr Havas’s golden rule and the reporters’ experiencesPART II: THE MAKING OF THE KEY NEWS STORIES, JULY 1936-APRIL 1937Chapter 3: Spain in the headlines, July-September 1936Chapter 4: The epic rehearsal: the other storming of the Alcázar of Toledo, September 1936Chapter 5: ‘Last hours in Madrid’: Geoffrey Cox’s frontline dispatches, November 1936Chapter 6: Guernica and ‘modern warfare’, April 1937EPILOGUE: The truth to deadline
Minchom explores the ways in which journalists came to cover particular stories, perhaps at the expense of others, and how these stories helped shape the ‘big narrative’, of the Spanish Civil War." Professor Peter Anderson, University of Leeds
