Sinophone Cinemas

Yifen Beus, Brigham Young University, USA Felicia Chan, University of Manchester, UKJennifer Feeley, University of Iowa, USAAlison Groppe, University of Oregon, USASheldon Lu, University of California at Davis, USAOlivia Khoo, Monash University, AustraliaSong Hwee, University of Exeter, UKShu-mei Shih, UCLA, USAMirana May Szeto, University of Hong Kong, Hong KongYiman Wang, University of California Santa Cruz, USAAndy Willis, University of Salford, UKAudrey Yue, The University of Melbourne, Australia

• List of Figures Notes on Contributors Foreword: The Sinophone Redistribution of the Audible; Shih Shu-mei Acknowledgments Notes on Chinese names and film titles PART I: THEORISING SINOPHONE CINEMAS 1. Framing Sinophone Cinemas; Audrey Yue and Olivia Khoo 2. Genealogies of Four Critical Paradigms in Chinese-Language Film Studies; Sheldon Lu 3. Alter-centering Sinophone Cinema; Yiman Wang 4. Festivals, Censorship and the Canon: the Makings of Sinophone Cinemas; Yifen T. Beus 5. The Voice of the Sinophone; Song Hwee Lim 6. The Sounds of Language: Tan Pin Pin's Sinophone Cinema; Olivia Khoo PART II: CONTEMPORARY SINOPHONE CINEMAS 7. Mandarin Pop Meets Tokyo Jazz: Gender and Popular Youth Culture in Late 1960s Hong Kong Musicals; Jennifer Feeley 8. Sinophone Libidinal Economy in the Age of Neoliberalisation and Mainlandisation: Masculinities in Hong Kong SAR New Wave Cinema; Mirana M. Szeto 9. 'Singlish' and the Sinophone: Nonstandard (Chinese/English) Languages in Recent Singaporean cinema; Alison M. Groppe 10. British Chinese Short Films: Challenging the Limits of the Sinophone; Felicia Chan and Andy Willis 11. Contemporary Sinophone Cinema: Australia-China Co-Productions; Audrey Yue Bibliography Filmography

"This volume is a valuable source of new insights by those committed to working in the area of Sinophone cinemas. The lucid presentation of the subject makes it a perfect choice for classroom use." - Gina Marchetti, University of Hong Kong