This fine book does two things. First, it takes us deeply into the philosophical underpinnings of Dogon mortuary rituals. Second, by covering the sequence of songs performed in a single long night as experienced by the lead author, enhanced by excellent photos and drawings, it gives the reader a feeling of having been physically present there. This duality is rare in academic writing. The many comparisons between Dogon and Abrahamic religion make the book as accessible to a general Judeo-Christian readership as to anthropologists.