Ailsa Grant Ferguson is Principal Lecturer in Early Modern Literature at the University of Brighton, UK.

• List of IllustrationsAcknowledgementsForeword by Gordon McMullan and Philip Mead IntroductionChapter onePrologue: The Shakespeare Memorial National Theatre events, 1910-12: Festivity, bardolatry, (re)constructing ‘memory’ Chapter two“What Ho! For Shakespeare, when we get back to Blighty!”: Commemorating Shakespeare in wartimeChapter threePerforming Englishness: The Shakespeare Hut for AnzacsChapter fourPerforming femininity: Women at the Shakespeare HutChapter fiveAfter the War, 1919-23Chapter sixEpilogue: Forgetting and ‘Remembering’ the Shakespeare Hut, 1924-2016: Festivity, bardolatry and (re)constructing ‘memory’NotesBibliographyIndex

A fascinating, multi-faceted narrative of cultural changes negotiated in a unique cultural space, including new national identities arising from the old British Empire, feminism, modernism and the afterlives of Shakespeare.

Ailsa Grant Ferguson is Principal Lecturer in Early Modern Literature at the University of Brighton, UK.

• List of IllustrationsAcknowledgementsForeword by Gordon McMullan and Philip Mead IntroductionChapter onePrologue: The Shakespeare Memorial National Theatre events, 1910-12: Festivity, bardolatry, (re)constructing ‘memory’ Chapter two“What Ho! For Shakespeare, when we get back to Blighty!”: Commemorating Shakespeare in wartimeChapter threePerforming Englishness: The Shakespeare Hut for AnzacsChapter fourPerforming femininity: Women at the Shakespeare HutChapter fiveAfter the War, 1919-23Chapter sixEpilogue: Forgetting and ‘Remembering’ the Shakespeare Hut, 1924-2016: Festivity, bardolatry and (re)constructing ‘memory’NotesBibliographyIndex

A fascinating, multi-faceted narrative of cultural changes negotiated in a unique cultural space, including new national identities arising from the old British Empire, feminism, modernism and the afterlives of Shakespeare.

Ailsa Grant Ferguson is Principal Lecturer in Early Modern Literature at the University of Brighton, UK.

• List of IllustrationsAcknowledgementsForeword by Gordon McMullan and Philip Mead IntroductionChapter onePrologue: The Shakespeare Memorial National Theatre events, 1910-12: Festivity, bardolatry, (re)constructing ‘memory’ Chapter two“What Ho! For Shakespeare, when we get back to Blighty!”: Commemorating Shakespeare in wartimeChapter threePerforming Englishness: The Shakespeare Hut for AnzacsChapter fourPerforming femininity: Women at the Shakespeare HutChapter fiveAfter the War, 1919-23Chapter sixEpilogue: Forgetting and ‘Remembering’ the Shakespeare Hut, 1924-2016: Festivity, bardolatry and (re)constructing ‘memory’NotesBibliographyIndex

A fascinating, multi-faceted narrative of cultural changes negotiated in a unique cultural space, including new national identities arising from the old British Empire, feminism, modernism and the afterlives of Shakespeare.