Shakespeare, Feminism and Gender

Häftad, Engelska, 2000

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Over the last quarter-century, feminist criticism of Shakespeare has greatly expanded and enriched the range of interpretations of the Shakespearean texts, their original historical location, and subsequent reinterpretation. Characteristically it weaves between past and present, driven by a commitment both to intervene in contemporary cultural politics and to recover a fuller sense of the sexual politics of the literary heritage. Collecting together essays which offer detailed accounts of particular plays with others that take a broader overview of the field, this Casebook showcases the range of critical strategies used by feminist criticism, and illustrates how vital attention to the politics of gender and sexuality is to a full understanding and appreciation of Shakespearean drama.

Produktinformation

Utgivningsdatum2000-12-06
Mått136 x 214 x 20 mm
Vikt360 g
FormatHäftad
SpråkEngelska
SerieNew Casebooks
Antal sidor269
FörlagBloomsbury Publishing PLC
ISBN9780333716526

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Litteraturvetenskap inom Skönlitteratur
Genusvetenskap inom Samhälle och politik

AcknowledgementsGeneral Editor's PrefaceIntroduction; K. ChedgzoyThe Patriarchal Bard: Feminist Criticism and Shakespeare: King Lear and Measure for Measure; K. McLuskieFeminist Theory and the Editing of Shakespeare: The Taming of the Shrew Revisited; A. ThompsonWoman's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre; L. GoodmanGender and Nation: Anticipations of Modernity in the Second Tetralogy; J.E. Howard & P. RackinHow to Read The Merchant of Venice without being Heterosexist; A. SinfieldThe Homoerotics of Shakespearean Comedy; V. TraubMourning and Misogyny: Hamlet and the Final Progress of Elizabeth I; S. MullaneyHe Do Cressida in Different Voices; B. HodgdonRevolutions, Petty Tyranny and the Murderous Husband; F. DolanMacbeth and the All-singing, All-dancing Plays of the Jacobean Witch-Vogue; D. PurkissThe Colour of Patriarchy: Critical Difference, Cultural Difference and Renaissance Drama; A. LoombaFurther ReadingNotes on ContributorsIndex.