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Shakespeare and Scotland is a timely collection of new essays in which leading scholars on both sides of the Atlantic address a neglected national context for an exemplary body of dramatic work too often viewed within a narrow English milieu or against a broad British backdrop. These essays explore, from a variety of critical perspectives, the playwright's place in Scotland and the place of Scotland in his work. From critical reception to dramatic and cinematic adaptation, the contributors engage with the complexity of Shakespeare's Scotland and Scotland's Shakespeare. The influence of Scotland on Shakespeare's writing, and later on his reception, is set alongside the dramatic effects that Shakespeare's work had on the development of Scottish literature, from the Globe to globalisation, and from Captain Jamy and King James to radical productions at the Citizens' Theatre in Glasgow.
Willy Maley is Professor of Renaissance Studies at the University of Glasgow. Andrew Murphy is Reader in English Literature at the University of St Andrews
AcknowledgementsNotes on contributorsIntroduction - Willy Maley and Andrew Murphy1. "Stands Scotland where it did?" Shakespeare on the march - David Baker2. Wrapped in the strong arms of the Union: Shakespeare and King James - Neil Rhodes3. The place of Scots in the Scottish play: 'Macbeth' and the politics of language - Christopher Highley4. 'Macbeth' and the rhetoric of political forms - Elizabeth Fowler5. 'Hamlet's country matters: The 'Scottish play' within the play - Andrew Hadfield6. How Scottish was the Scottish play? 'Macbeth's national identity in the eighteenth century - Rebecca Rogers7. The Bard: Ossian, Burns, and the shaping of Shakespeare - Robert Crawford8. "Not fit to tie his brogues": Shakespeare and Scott - Lidia Garbin9. Shakespeare goes to Scotland: A brief history of Scottish editions - Andrew Murphy10. Citz Scotland where it did?: Shakespeare in production at the Citizens' Theatre, Glasgow, 1970-1974 - Adrienne Scullion11. Local 'Macbeth'/Global Shakespeare: Scotland's screen destiny - Mark Thornton Burnett