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Scholars generally consider the sequence ofdense, epigrammatic dizains that compriseMaurice Scève's lyric sequence Délie to be anearly example of French Renaissanceimitation of Petrarch's lyric poetry. WhilePetrarch's Canzoniere is an important sourcefor Scève's Délie, both works are part of along poetic lineage that includes Occitantroubadours. The book argues that the 'Petrarchan' label is problematic for Scève'sDélie, and reveals Dante Alighieri as arelevant predecessor and source.
Produktinformation
Utgivningsdatum2020-11-09
Mått156 x 234 x 26 mm
Vikt637 g
FormatInbunden
SpråkEngelska, Franska, Medelfranska, Fornfranska, Klassisk grekiska, Italienska, Latin
Alison Baird Lovell is a Visiting Assistant Professor in Modern Languages and Literatures at St. Norbert College. Her research focuses on early modern French and Italian literature.
AcknowledgementsList of IllustrationsTextual NoteIntroduction1. "Ce Poëte ayant quasi l'esprit et l'entendement de Dante"2. Scève andfin' amor : "Jouir d'un cœur, qui est tout tien amy"3. Scève, Ficino, Cavalcanti : "Parfeit un corps en sa parfection"4. Scève and Dante : "Fedeli d'amore"5. Scève and Dante : "Incessamment travaillant en moy celle"6. Scève and Dante : "L'amor che qui raffina"7. Scève and Petrarch : "Ardor fallace"8. Scève and Petrarch : "Constituée idole de ma vie"ConclusionSelected BibliographyIndexIndex of Poems and Cantos Cited