Del 10 - Linguistic and Literary Studies in Eastern Europe

Semiotics of Drama and Theatre

New Perspectives in the Theory of Drama and Theatre

Inbunden, Engelska, 1985

Av Herta Schmid, Aloysius Van Kesteren, Aloysius van Kesteren

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The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the first attempt of presenting papers within the context of (Analytical) Theory of Science; 3) it is the first consistent set of papers starting from semiotics a s a meta-theory. The volume is divided into four sections: I Fundamental of Theatre Research, II Theory of Drama and Theatre, III Descriptive Theatre Research, IV Applied Theatre Research. The fifth and final section offers a selective bibliography of analytical approaches to drama and theatre.

Produktinformation

Utgivningsdatum1985-01-01
Mått164 x 245 x 44 mm
Vikt1 130 g
FormatInbunden
SpråkEngelska
SerieLinguistic and Literary Studies in Eastern Europe
Antal sidor548
FörlagJohn Benjamins Publishing Co
ISBN9789027215130

Tillhör följande kategorier

Språkvetenskap och lingvistik inom Sprak och ordbocker
Litteraturvetenskap inom Skonlitteratur
Teater inom Kultur

1. The editors: New Perspectives in the Theory of Drama and Theatre; an Introduction; 2. I. Fundamentals of Theatre Research; 3. Theatre and Drama Research; an Analytical Proposition (by Van Kesteren, Aloysius); 4. II. Theory of Drama and Theatre; 5. The Algebra of Scenic Situations (by Dinu, Mihai); 6. Evidence et strategies de l'analyse theatrale (by Helbo, Andre); 7. On the Nature of Dramatic Text (by Prochazka, Miroslav); 8. Coherence and Focability: A Contribution to the Analysability of Theatre Discourse (by Tindemans, Carlos); 9. III. Descriptive Theatre Research; 10. The Dramatic Dialogue: Oral or Literary Communication? (by Fischer-Lichte, Erika); 11. Music as Theme and as Structural Model in Chekhov's Three Sisters (by Golomb, Harai); 12. Die Strategic der Paradoxie: Zur Logik der Konversation im Dandyismus am Beispiel Oscar Wildes (by Hess-Luttich, Ernest W.B.); 13. The Theatrical Theatre - Evreinov's Contribution to Russian Modernism: An Analysis of The Merry Death (by Hildebrand, Olle); 14. Le role de l'espace scenique dans la lecture du texte dramatique: Quelques observations sur un 'modele' du genre dramatique et sur les Sei personaggi in cerca d'autore de Pirandello (by Jansen, Steen); 15. On Brecht's Notion of Gestus (by Pavis, Patrice); 16. Die Umstrukturierung des theatralischen Zeichens in Cechovs Einakter Predlozenie (Der Heiratsantrag) (by Schmid, Herta); 17. Frames and Metacommunication in Genet's The Balcony (by Sherzer, Dina); 18. Acting and Behaviour: A Study in the Signans (by Veltrusky, Jiri); 19. IV. Applied Theatre Research; 20. Towards a Theory of Women's Theatre (by Bassnett, Susan); 21. 'Good guy bad guy' Effects in Political Theatre (by Tan, Ed); 22. V. Bibliography; 23. Selective and Incomplete Bibliography of Analytical Approaches to Drama and Theatre (by Van Kesteren, Aloysius)