Anthony Cordingley teaches at the University of Sydney, Australia and Université Paris 8, France. His research focuses on modernist and contemporary literature, multilingual writing and translation. A specialist in self-translation, his previous work includes Self-Translation: Brokering Originality in Hybrid Culture (2013).Josh Stenberg teaches Chinese and diasporic literature and theatre at the University of Sydney, Australia. He is the author of Minority Stages: Sino-Indonesian Performance and Public Display (2019) and Liyuanxi: Chinese ‘Pear Garden’ Theatre (2022), and is also the translator of seven books of contemporary Chinese fiction and poetry.

• Chapter 1: Introduction.- Chapter 2: Republican China.- Chapter 3: Self-Translation in the PRC Since 1949.- Chapter 4: Self-Translation in and from Taiwan and Hong Kong.- Chapter 5: Chinese-Language Self-Translation in Southeast Asia and in the West.- Chapter 6: The Reception of Chinese Self-Translation in Chinese.- Chapter 7: Conclusion.

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Anthony Cordingley teaches at the University of Sydney, Australia and Université Paris 8, France. His research focuses on modernist and contemporary literature, multilingual writing and translation. A specialist in self-translation, his previous work includes Self-Translation: Brokering Originality in Hybrid Culture (2013).Josh Stenberg teaches Chinese and diasporic literature and theatre at the University of Sydney, Australia. He is the author of Minority Stages: Sino-Indonesian Performance and Public Display (2019) and Liyuanxi: Chinese ‘Pear Garden’ Theatre (2022), and is also the translator of seven books of contemporary Chinese fiction and poetry.

• Chapter 1: Introduction.- Chapter 2: Republican China.- Chapter 3: Self-Translation in the PRC Since 1949.- Chapter 4: Self-Translation in and from Taiwan and Hong Kong.- Chapter 5: Chinese-Language Self-Translation in Southeast Asia and in the West.- Chapter 6: The Reception of Chinese Self-Translation in Chinese.- Chapter 7: Conclusion.

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Anthony Cordingley teaches at the University of Sydney, Australia and Université Paris 8, France. His research focuses on modernist and contemporary literature, multilingual writing and translation. A specialist in self-translation, his previous work includes Self-Translation: Brokering Originality in Hybrid Culture (2013).Josh Stenberg teaches Chinese and diasporic literature and theatre at the University of Sydney, Australia. He is the author of Minority Stages: Sino-Indonesian Performance and Public Display (2019) and Liyuanxi: Chinese ‘Pear Garden’ Theatre (2022), and is also the translator of seven books of contemporary Chinese fiction and poetry.

• Chapter 1: Introduction.- Chapter 2: Republican China.- Chapter 3: Self-Translation in the PRC Since 1949.- Chapter 4: Self-Translation in and from Taiwan and Hong Kong.- Chapter 5: Chinese-Language Self-Translation in Southeast Asia and in the West.- Chapter 6: The Reception of Chinese Self-Translation in Chinese.- Chapter 7: Conclusion.

Select Guide Rating