Scott Wilson's theoretical proclivities are so well adapted to the task of elucidating the existential predicaments and unconventional passages of Scott Walker's career that the bleakness, futility and misery-beyond-pleasure that preoccupied the singer reveal even more nuanced shadow-play under his critical scrutiny. This uncompromising study brings Walker's fascination with torture, fascism, narcissism, anguish and loneliness to an enigmatic climax in the realization that each of us is singularly one-all-alone, existing in disharmony and destitution, forever out of tune in a world of post-couples.