San Francisco Noir

Photographs by Fred Lyon

Inbunden, Engelska, 2017

469 kr

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Following in the footsteps of classic films like The Maltese Falcon and The Lady from Shanghai, veteran photographer Fred Lyon creates images of San Francisco in high contrast with a sense of mystery. In this latest offering from the photographer of San Francisco: Portrait of a City 1940–1960, Lyon presents a darker tone, exploring the hidden corners of his native city. Images taken in the foggy night are illuminated only by neon signs, classic car headlights, apartment windows, or streetlights. Sharply dressed couples stroll out for evening shows, drivers travel down steep hills, and sailors work through the night at the old Fisherman’s Wharf. Stylistically many of the photographs are experimental—the noir tone is enhanced by double-exposures, elements of collage, and blurred motion. These strikingly evocative duotone images expose a view of San Francisco as only Fred Lyon could capture.

Produktinformation

Utgivningsdatum2017-10-10
Mått221 x 284 x 24 mm
Vikt1 390 g
FormatInbunden
SpråkEngelska
Antal sidor224
FörlagPrinceton Architectural Press
MedarbetareLyon,Fred
ISBN9781616896515

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Fred Lyon studied under famed photographer Ansel Adams and has been called 'San Francisco’s Brassai'. A lifelong resident of San Francisco, he has contributed to numerous fashion, home, and garden magazines. His work has been exhibited in San Francisco at the Museum of Modern Art, the Legion of Honor Museum, and the Leica Gallery, as well as the Art Institute of Chicago, and was the subject of a Life magazine retrospective.

"Few photographers have a deeper knowledge of the city and its subcultures than Fred Lyon, a widely published documentary and portrait photographer who is still going strong at 93. Fred, who is more articulate and insightful than a lot of photographers half his age, has just released San Francisco Noir, a new collection of his classic black & white film images.[...]Fred is not surprised by the enthusiastic reception San Francisco Noir has received, but this is more to do with his age and laconic character than an inherent lack of modesty. ‘I’ve been at this so long that few things surprise me when it comes to publications. Everything starts out being wonderful, then the publishing requirements are satisfied and I’m not very happy. But San Francisco Noir delights me as the old black & white images are so well digitised and the book is beautifully designed. The young designer disappeared with a bottle of scotch or maybe bourbon over a weekend and did a fantastic job. He picked all my favourite images, the ones that don’t always make the cut.’" Amateur Photographer