It is very easy to write about indeterminacy, ambiguity, and ambivalence in Beckett, but very hard to do so with the persuasive depth of research and sensitivity to nuance that we have come to expect from John Pilling. In this fresh, revisionary study of More Pricks than Kicks, he captures a critical moment in Beckett's tortuous path to the inimitable voice of his mature art, and Pilling does so in a distinct voice of his own that makes this rigorous scholarly work a pleasure to read.