Russians Abroad

Greta Slobin (PhD Yale University) was professor of literature at University of California-Santa Cruz and also taught at Amherst College, Wesleyan University, and SUNYAlbany. She was a long-time Senior Research Fellow at the Harriman Institute of Columbia University and spent a year at Harvard University on an NEH fellowship. Her previous publications include Aleksei Remizov: Approaches to a Protean Writer and Remizov’s Fictions: 1900–1921. Nancy Condee is on the Slavic and Film Studies faculty at the University of Pittsburgh. She has been Director of the Graduate Program for Cultural Studies for over a decade (1995–2006) and is a Senior Associate Member of St. Antony's College (Oxford University). She is co-founder and co-editor of the journal Studies in Russian and Soviet Cinema, and serves on a number of editorial and advisory boards, including Kinokultura, Critical Quarterly, and Russian Studies in Literature. She has served for six years as Chair of the Board of Directors of the National Council for Eurasian and East European Research. Katerina Clark is Professor of Comparative Literature at Yale University. She is author of Petersburg, Crucible of Cultural Revolution and coauthor with Michael Holquist of Mikhail Bakhtin.

“The chief value of this collection of essays is that it clearly traces some of the important dynamics of the post-1917 literary emigration. It shows how émigré literature relates to Russian literature of other periods and to broader questions of identity; as well as countering the usual stereotypes, it demonstrates that émigré letters need not—should not—be studied as a thing apart. . . . [T]his is a collection of essays which opens up many lines of enquiry as it is—and provides many original answers. Prefaced with an eloquent tribute by Galin Tihanov, it stands as a fine tribute to Greta Slobin and the breadth of her scholarship.”— Adam Fergus (University of Sheffield), Modern Language Review, Volume 111, Part 2 (April 2016)“Framed by several critical models, including neocolonial, the book is rich in observations on the nexus between the national canon, exile and modernism....Greta Slobin’s book will play an important part in emigre studies, where a decisive shift has occurred during the last decade from describing the long neglected material and ‘filling the gaps’ to conceptualizing and contextualizing the complex network of literary discourses, solidarities and loyalties.”— Maria Rubins, UCL SSEES, in Slavonic and East European Review, vol. 92, no. 3 (July 2014)