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Prior to the collapse of communism, Romanian historical movies were political, encouraging nationalistic feelings and devotion to the state. Vlad the Impaler and other such iconic figures emerged as heroes rather than loathsome bloodsuckers, celebrating a shared sense of belonging. The past decade has, however, presented Romanian films in which ordinary people are the stars--heroes, go-getters, swindlers and sore losers. The author explores a wide selection, old and new, of films set in the Romanian past.
Onoriu Colăcel, an associate professor at Stefan cel Mare University of Suceava, has authored three books and has published on Romanian and Moldovan literary culture and visual media. He lives in Suceava, Romania.
Table of ContentsPrefaceIntroduction: Bringing History into Focus1. The Politics of Spectatorship: Romanianism and Romanianness On and Off Film2. Film as the Litmus Test for National Independence: Tudor3. Taking Stock of History in Real Time: The Extreme Long Shot of Romanian Historicals4. The Dacian Legacy on Film5. The Medieval Inheritors of the Ethnic Tradition: Stephen the Great, Michael the Brave, Vlad the Impaler6. Where Does That Leave Us? The Story So Far7. The 21st Century Makeover of the Genre8. The Cultural Memory and Romanian Heritage CinemaChapter NotesBibliographyIndex