Roma Music and Emotion

Inbunden, Engelska, 2021

AvFilippo Bonini Baraldi,Institute of Ethnomusicology at Universidade Nova de Lisboa) Bonini Baraldi, Filippo (Researcher, Researcher

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In Roma Music and Emotion, author Filippo Bonini Baraldi forges a much-needed theory of music, emotion, and empathy from an anthropological perspective, addressing the failure of the prevailing psychological theories on music and emotion to account for non-western musical cultures.Bonini Baraldi, having spent years among the Hungarian Roma of rural Transylvania, presents compelling ethnographic descriptions of their weddings, funerals, community celebrations, and intimate family gatherings. Based on extensive field research and informed by hypotheses drawn from the cognitive sciences, the anthropology of art, and aesthetics, Roma Music and Emotion analyzes why Roma musicians cry along with music and how they arouse specific feelings in their audiences.Translated by Margaret Rigaud and written in clear prose, Roma Music and Emotion makes an important ethnomusicological contribution to theoretical discussions of the relationship between music and emotion.

Produktinformation

Utgivningsdatum2021-09-09
Mått160 x 243 x 25 mm
Vikt667 g
FormatInbunden
SpråkEngelska
Antal sidor368
FörlagOUP USA
ISBN9780190096786
UtmärkelserWinner, 2022 William A. Douglass Prize, Society for the Anthropology of Europe

Tillhör följande kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur
Antropologi inom Samhalle och politik
Kognitiv psykologi inom Psykologi och pedagogik
Musikböcker inom Kultur

Foreword, by Steven FeldAcknowledgementsNotes to the English editionLinguistic conventions Introduction Part 1: Musical emotions: When and why do they arise?Section 1: Performing for Others, Performing for Oneself Chapter 1: The professional ethics of the Roma musicians of Ceua,s Chapter 2: Village Celebrations Chapter 3: How to make music work, how to arouse emotions Chapter 4: After the "service": time to party in tiganie Chapter 5: Other occasions when musical emotions can arise in tiganie Chapter 6: A musical experience of being inwardly torn apart Section 2: Performing for the dead, arousing pity in the living Chapter 7: Funerals and the politics of emotion Chapter 8: The soundscape of a funeral wake Part 2: Why do the Roma of Ceua,s cry with music? Chapter 9: Musical emotions in the Roma community of Ceua,s: A concentric model Chapter 10: Performing sorrow Chapter 11: Personal tunes Chapter 12: Being milos Part 3: Music, Emotion, and Empathy Chapter 13: What is musical empathy? Chapter 14: Towards an anthropological approach to musical empathy Conclusion EpilogueGlossaryBibliographyDiscographyFilmographyList of figuresIndex of Audiovisual documentsIndex