Reflective Affective Dramaturgies of Participatory Theatre

Larping Audiences into Performance

Inbunden, Engelska, 2024

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Through its integration of the practical and theoretical, this work serves as an essential study for scholars, students and artists in theatre studies, performance studies, visual art studies, role-play studies, cultural studies, and philosophy.

Produktinformation

Utgivningsdatum2024-09-02
Mått148 x 210 x 16 mm
Vikt383 g
FormatInbunden
SpråkEngelska
Antal sidor193
Upplaga2024
FörlagSpringer International Publishing AG
ISBN9783031644580

Tillhör följande kategorier

Teater inom Kultur
Skådespelare och artister inom Kultur
Kulturvetenskap inom Samhalle och politik

Sarah Hoover is a Postdoctoral Researcher with the University of Galway, Ireland, on the EU Horizon 2020 funded project Computational Literary Studies Infrastructure (CLS INFRA). Her research centres on the creation and digitisation of interactive and other audience-centred performance dramaturgies, considered through new materialist theory. As a lecturer, Hoover convenes and delivers postgraduate modules from Applied Dramaturgy to Critical Methods, and undergraduate modules including Artistic Research, Performance Studies and Advanced Devising. In addition to research projects and extensive teaching, Hoover dramaturgs new theatre and performance in the UK, US and Ireland.

Introduction: Histories and lineages of affect in performance and larp.- Chapter 1. The Potential Machine: the reflective affective model.- Chapter 2. “It feels real”: excess and intensity in The Prison.- Chapter 3. “A bigger version of me”: self-presence in New Voices in Art.- Chapter 4. “Am I that kind of person?”: the RA model applied from concept to post-production in Two Truths.- Chapter 5. Conclusion: considering our systems of performance.