“I read Rattlebone when it was first published in 1994. I loved it then, and all these years later I love it more. Now I understand how rare it is to find a book that contains such indelible characters, and such enormity of heart. Welcome back, Rattlebone, may you get all the love and attention you have long deserved.”—Ann Patchett“Each skillful plot twist, each new, wonderful character has the effect of a sip of literary love potion. There is magic dust sprinkled over each and every page . . . Maxine Clair has offered us hope without rhetoric. She has told a story of struggle with a quietly triumphant end that says, sometimes, even in places called Rattlebone, black girls get to live happily ever after too.”—Veronica Chambers, The New York Times Book Review“Clair's debut short-story collection, eleven interlocked tales set in an African American outskirt of Kansas City, Kans., in the 1950s, launches her toward the front ranks of contemporary fiction . . . An utterly addictive collection by a writer to watch.”—Publishers Weekly, Starred Review“Strong, melodic, and honest . . . We need stories like this to replenish us.”—Terry McMillan“[An] overlooked coming-of-age classic. Empathic and rich in human detail, this 1994 novel of Black life in 1950s Kansas deserves to reach a wider audience. [A] wonderful novel . . . Clair is an exquisitely empathic writer, and imbues every page with poetry . . . It deserves to be widely read, a set text, cherished.”—Nick Duerden, The Observer“Lyrical linked stories unfold in Rattlebone Hollow, Kansas City’s historic Black quarter circa 1950, during the halting early days of school desegregation . . . Individually compelling and collectively masterful, these resonant stories are told in cadenced prose of a ravishing, unforced eloquence. Writing this brilliant and evocative deserves a place on any shelf.—David Wright, Library Journal, Starred Review“Maxine Clair’s coming-of-age novel in stories, Rattlebone, is one of those books that deserves to be brought out of the shadows of African American literature and back into the spotlight it so rightly deserves . . . Anyone who reads Rattlebone will see its relationship with other important works of African American literature published in the same year, like Edwidge Danticat’s Breath, Eyes, Memory or Alice Walker’s The Complete Stories . . . It is through Blackness that these writers also say something universal . . . to begin to see the Black experience not as “other” but as one with which any reader can seek to connect . . . [Clair] has written a book that will find a special place in the hearts of all who read it.”—Ralph Eubanks, The Sewanee Review“Lovely, lyrical and full of charm . . . a sensitive and wise coming-of-age story.” —Alix Madrigal, San Francisco Chronicle“This brilliant debut belongs on the same shelf as V. S. Naipaul’s Miguel Street and Jamaica Kincaid’s Annie John . . . Rattlebone is enchanting, sexy, wise, and richly imagined.”—Howard Norman“Told in a style that is memorable for its ability to shift tones and to capture, in rich and controlled language, new levels of consciousness . . . Clair consistently attains the poetry organic to everyday speech.”—Michael Parker, The Washington Post“Clair . . . is a master of subtle characterization—the ways one asserts oneself as a person of ‘quality, the formal yet musical nature of her characters' diction, the veneer of politeness in which the sisters convey their rage to each other.”—Amy Benfer, San Francisco Chronicle
