Private History in Public

Exhibition and the Settings of Everyday Life

Inbunden, Engelska, 2010

AvTammy S. Gordon

1 949 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

Finns i fler format (1)

Häftad

749 kr

Skickas inom 10-15 vardagar

In small community museums, truck stops, restaurants, bars, barbershops, schools, and churches, people create displays to tell the histories that matter to them. Much of this history is personal: family history, community history, history of a trade, or the history of something considered less than genteel. It is often history based on the historical record, but also based on feelings, beliefs, and memory. It is neglected history. Private History in Public is about those history exhibits that complicate the public/private dichotomy, exhibits that serve to explain communities, families, and individuals to outsiders and tie insiders together through a shared narrative of historical experience. Tammy S. Gordon looks beyond the large professionalized museum exhibits that have dominated scholarship in museum studies and public history and offers a new way of understanding the broad spectrum of exhibition types in the United States.

Produktinformation

Utgivningsdatum2010-01-16
Mått161 x 245 x 15 mm
Vikt399 g
FormatInbunden
SpråkEngelska
SerieAmerican Association for State and Local History
Antal sidor170
FörlagBloomsbury Publishing Plc
MedarbetareSkramstad,Harold
ISBN9780759119345

Tillhör följande kategorier

ForewordIntroduction: Historical Display, Commerce, and CommunityToward a New Typology of Historical Exhibition in the United StatesCommunity Exhibition: History, Identity, and DialogueEntrepreneurial Exhibition: Historical Display and the Small Business TraditionVernacular Exhibition and the Business of HistoryLocal History, Global Economy: The Functions of History Exhibits in the Settings of Daily Life

Tammy Gordon is an engaging guide through a world of historical exhibitions that remains mostly unrecognized by professional public historians. Whether considering displays in bars or barbershops, tributes to firefighters or 'Freakatoriums,' Gordon has a wry but generous touch as she analyzes the sites on their own terms and considers their implications for more traditional museums. Since Americans are just as likely to seek out exhibitions by the roadside as in a museum, it's time we understand what sort of history they are getting and how it sustains them. Gordon's book is a thought-provoking introduction to how the past gets constructed outside the gallery walls.