Stephen Berry's presentation of the diaries of four young southern men joins a growing and rich literature on southern masculinities. He is acutely sensitive to the prerogatives and ultimate responsibilities of southern white manhood, but he neither excuses his subjects' fallibilities nor exalts their achievements. With an introduction and epilogue that are at once wonderfully imagined and beautifully written, Princes of Cotton raises important questions about the multivariate ways in which men conceptualized honor, mastery, and themselves. Berry has performed a real service by demonstrating the simultaneous simplicity and complexity of white manhood in the antebellum South.