“Benjamin Hoffmann presents, with wonderful insight, a portrait of a young American nation by three French writers. The particular oddity of their perspective, hence the delightful originality of this work, is that what they depict in their various ways is a society and polity that they know to be no longer valid—for which Hoffmann coins the term of ‘posthumous’ narrative, sometimes tainted with nostalgia or outright fiction, in an already-archaic American landscape.”—Philip Stewart, author of Engraven Desire: Eros, Image, and Text in the French Eighteenth Century