Britta Schilling has produced a highly readable and informative study, which is at once breathtaking in scope and swift in style, especially for a doctoral thesis. Effortlessly, she takes the reader through almost a century of German history and memory production without succumbing to superficiality or truisms. Instead, she carefully evaluates the evidence at her disposal and provides a fresh approach to historical memory studies by focusing on material culture and the complicated interplay of public and private memory. Her combination of historical scholarship with insights from anthropology and cultural studies ... deserves great merit.