The Politics of Writing Islam provides a much-needed critique of existing forms of studying, writing and representing Islam in the West. Through critiquing ethnographic, literary, critical, psychoanalytic and theological discourses, the author reveals the problematic underlying cultural and theoretical presuppositions. Mutman demonstrates how their approach reflects the socially, politically and economically unequal relationship between the West and Islam. While offering a critical insight into concepts such as writing, power, post-colonialism, difference and otherness on a theoretical level, Mutman reveals a different perspective on Islam by emphasizing its living, everyday and embodied aspects in dynamic relation with the outside world - in contrast to the stereotyped authoritarian and backward religion characterized by an omnipotent God. Throughout, Mutman develops an approach to culture as an embodied, everyday, living and ever changing practice. He argues that Islam should be perceived precisely in this way, that is, as an open, heterogeneous, interpretive, multiple and worldly belief system within the Abrahamic tradition of ethical monotheism, and as one that is contested within as well as outside its 'own' culture.
Mahmut Mutman teaches cultural and critical theory and is the co-ordinator of the Program in Cultural Studies at Istanbul Sehir University, Turkey. He has widely published on orientalism, postmodernism, nationalism, and Islam.
IntroductionPart I: Ethnographies: Writing Culture1. Writing Culture: the Name of Man2. Native Speaker, Master Audience3. Exchange Past and FuturePart II: Literatures: Crossing Culture 4. Resonance of Light: Reading T.E. Lawrence5. Nomadism or Sovereignty: Location of CulturePart III: Theologies: the Voice of the Other6. Orphan Religion7. Reciting: the Voice of the OtherConclusionBibliographyIndex
A significant contribution ... [Mutman] offers a nuanced analysis ... [and] compelling narratives ... bring[ing] to light many challenges that scholars, writers, and academics face as they venture into identifying otherness within culture or religion ... [This book] introduces readers to a wide range of challenging concepts and discourses and contributes to the debates over appropriating the voice of the other by opening a fresh and long overdue area of research.