In this second edition of a volume first published in 2006, Franklin some examples and sprinkles in discussion…of television as ‘film,’ but he keeps to his central thesis surrounding the interactive relationship between US political culture and the content of US films. Franklin explores cause and effect, looking at how films project the interests and events of the times during which they are made while responding to the economics of what the author projects as the changing audience for films. He argues that filmmaking can be thought of in terms of three eras of ‘monopolies’: the Edison Trust era; the ‘golden era,’ controlled by the studio system; and the modern era, with its disparate markets and responses to them (e.g., the rise of independent productions). In addition to exploring the relationship of political philosophies and movies, Franklin looks at the politics of censorship. Examples appear throughout, and each chapter concludes with a brief case study….Summing Up:Optional. Graduate students, researchers/faculty; general readers.