This Reader's Guide synthesises the key criticism on Pinter's work over the last half century. Andrew Wyllie and Catherine Rees examine critical approaches and reactions to the major plays, charting the controversies which have arisen in response to Pinter's critiques of political and sexual issues.They consider criticism from the press and academics, on the themes of Absurdism, politics and gender identity. By placing this criticism in its historical context, this guide illustrates a transition from bewilderment and outrage to affection, fascination - and more outrage.
Andrew Wyllie is Senior Lecturer in Drama at the University of the West of England, UK, and co-editor of Studies in Theatre and Performance.Catherine Rees is Lecturer in Drama at Loughborough University. Her research focuses on contemporary British and Irish theatre.
Introduction1. Pinter and the Papers2. Pinter the Absurdist3. Political Pinter4. Pinter, Place, and Psychogeography5. Pinter, Gender and Sexuality6. Pinter Off-Stage: Radio, TV and FilmConclusionNotesBibliographyIndex.