Penetration

Häftad, Engelska, 2021

Av Carolyn Lloyd Davies, Carolyn Lloyd-Davies

249 kr

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Based on true events, the play follows the stories of Anna, a rape complainant, and Sean, the defendant, with insight and sensitivity. This heart-breaking, multi-layered play jolts the audience into exploring the implications of consent, focussing on the impact of toxic coercive relationships, the power of social media and the need for healthy sexual boundaries, especially when alcohol or drugs blur the lines. The play deliberately takes no specific moral or legal standpoint, forcing you to question long-held beliefs and inherent prejudice. A socially provocative play, which is of particular significance in the light of recent shocking reports about the low incidence of convictions for rape and sexual assault in the UK.

Produktinformation

Utgivningsdatum2021-09-09
Mått127 x 178 x 19 mm
Vikt118 g
FormatHäftad
SpråkEngelska
Antal sidor80
FörlagAurora Metro Publications
ISBN9781912430635

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Carolyn is the founder of Living the Drama Ltd, and as a professional actor, playwright and experienced teacher, she brings a mix of knowledge and experience to all her projects. Working closely with her creative team, her role is to lead, manage and develop the company's vision and ensure its values are upheld. Carolyn trained at the Academy of Live and Recorded Arts (ALRA) in London, and was a Trustee for seven years. She is on the Development Committee of Pegasus Theatre, Oxford, a thriving Performance Arts Centre for young people. She has written four full length plays (one with Stephanie Connell) plus two short screenplays, and two audio comedies. In 2016/17, she was attached to the Oxford Playhouse Playmaker scheme for a year, and has published over 30 articles. Carolyn is an Associate Artist with the Oxford Playhouse.

‘Every teenager and student in the country should see this play. Conferences and public forums should be convened to discuss its ramifications. This is a script to raise whirlwinds.’ – Lloyd Evans, The Spectator; 'There’s a concerted effort, almost as though this production were a dissertation paper, to consider various sides of the same story. Anna McIntyre (Georgina Armfield) goes to the police to report a crime against the person. But the alleged perpetrator, Sean Jackson (Calum Wragg-Smith) did not, on the balance of probabilities, set out to wilfully do anything harmful to another person.' - London Theatre; 'This is not a glamorous West End show. Indeed, it is all the more effective for the Cockpit’s small in- the- round stage, where every change of expression, every twitch of the finger, is noticeable. The play is openly intended to provoke (and there are two post-show Q & A sessions, which promise to be more stimulating than such events usually are). It raises questions: What counts as sexual assault? What are the consequences for the complainant? What are the consequences for the perpetrator? Is it ever enough to say sorry? Because the issues are at the forefront, characters are only sketchily portrayed, with the merest hint of family background. As a result, they are almost universally relatable.' - The Reviews Hub;