"Through a judicious use of key concepts on transgenerational trauma gleaned from Holocaust studies Ikeda succeeds in showing how Medoruma, a second-generation war survivor, can write about war experience that he, born fifteen years after the end of the war, lacks. Although this is a tremendous achievement that underscores the power of Medoruma's literary imagination, to state that a writer without first hand experience can create compelling war fiction is not nearly as important as the convincing reasons Ikeda provides readers for why Medoruma writes the war fiction for which he is widely acclaimed."Davinder L. Bhowmik, Japanese Language and Literature