Observational Cinema

Anna Grimshaw is Associate Professor in the Graduate Institute of the Liberal Arts, Emory University. She is author of Servants of the Buddha and The Ethnographer's Eye: Ways of Seeing in Modern Anthropology. Amanda Ravetz is Research Fellow at Manchester Institute for Research and Innovation in Art and Design, Manchester Metropolitan University.

• ContentsPrefaceAcknowledgmentsPart One.1. What Is Observational Cinema?2. Social Observers: Robert Drew, Albert and David Maysles, Frederick WisemanPart Two.3. Observational Cinema in the Making: The Work of Herb Di Gioia and David Hancock4. Observational Cinema on the Move: The Work of David MacDougallPart Three.5. Rethinking Observational Cinema6. Toward an Experimental AnthropologyNotesFilmographyBibliographyIndex

"Challenging those who dismiss realism as a basis for an experimental anthropological cinema, Grimshaw (liberal arts, Emory Univ.) and Ravetz (art and design, Manchester Metropolitan Univ., UK) argue that the text-based (or textual) and conceptual ethnographic film imposes meaning on its subjects rather than drawing it from them in the process of filming. Arguing from the works of André Bazin, Colin Young, Herb Di Gioia, and others, the authors make a case for continuous long shots, respectful engagement with subjects, a humanistic perspective that values the quotidian of people's lives, and a reluctance to indulge in pre-information about the subject matter of films' targeted topics. ...More about filmmaking than anthropology, this short book is apparently a response to poststructuralist critiques of interpretive anthropology and its conceptual frameworks. Aiming for a universalist argument of letting film audiences become participants in evolving meaning, the authors reiterate their litany of observational practice and camera to argue for ethnography by filmmaking rather than films that are ethnographic. Summing Up: Recommended. Upper-division undergraduates and above. —Choice"— J. L. Erdman, Columbia College Chicago, July 2010"Arguing from the works of André Bazin, Colin Young, Herb Di Gioia, and others, the authors make a case for continuous long shots, respectful engagement with subjects, a humanistic perspective that values the quotidian of people's lives, and a reluctance to indulge in pre-information about the subject matter of films' targeted topics. . . . Recommended.July 2010"—Choice"Observational Cinema is a fascinating and much-needed study of an important body of work."—American Ethnologist"Grimshaw and Ravetz offer an appealing study of the observational cinematic method in ethnographic research. XVI, No. 3, 2010"—Anthropological Notebooks"Grimshaw and Ravetz not only demonstrate felicitous linkages between visual and social anthropology, which is highly welcomed, but between anthropological gazes and artistic visions. We need more of these kinds of expanded multidisciplinary works for they break new ground and expand the space of imagination."—Paul Stoller, author of The Power of the Between: An Anthropological Odyssey