"New York Trilogy reads as the culmination of [Balakian's] life-long concern with how poetry can address—honestly, but with that complexity and beauty unique to poetry—the twin poles of human atrocity and cultural achievement; of planetary extinction and possibility. . . . Montage, fragmentation, the juggling of multiple time frames and sources, as well as variations in verse form, diction, and pacing make for some challenging reading. But ultimately, I found the book tremendously moving in its search for clarity in a life lived in full awareness of the present moment—with all its historical, cultural, geographical, and political context still attached. . . . What results is a dynamic, disturbing account of human achievement colliding periodically with the 'chthonic zigzag of hubris'. Excavation, building, and collapse recur throughout, sources of both beauty and horror. Balakian’s diction sometimes veers into technical, numerical, even algebraic language."