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This is the first comprehensive and illustrated study of the most important form of theatre in the entire Roman Empire - pantomime, the ancient equivalent of ballet dancing. Performed for more than five centuries in hundreds of theatres from Portugal in the West to the Euphrates, from Gaul to North Africa, solo male dancing stars - the forerunners of Nijinsky, Nureyev, and Baryshnikov - stunned audiences with their erotic costumes, subtlety of gesture, and dazzling athleticism. In sixteen specially commissioned and complementary studies, the leading world specialists explore all aspects of the ancient pantomime dancer's performance skills, popularity, and social impact, while paying special attention to the texts that formed the basis of this distinctive art form.
Produktinformation
Utgivningsdatum2008-11-20
Mått144 x 224 x 33 mm
Vikt733 g
FormatInbunden
SpråkEngelska
Antal sidor504
FörlagOUP OXFORD
ISBN9780199232536
UtmärkelserJohn H. Starks' essay ^IPantomime Actresses in Latin Inscriptions^R was selected as Best Article for 2008 by the Women's Classical Caucus.
Edith Hall is Professor of Classics & Drama, Royal Holloway, University of London. Rosie Wyles is a Post-Doctoral Research Fellow, Archive of Performances of Greek & Roman Drama, University of Oxford.
Introduction: Pantomime: a lost chord of ancient culture ; I. THE PANTOMIME DANCER AND HIS WORLD ; 1. Inside the mask: pantomime from the performers' perspective ; 2. The symbolism of costume in ancient pantomime ; 3. Pantomime performance and figured scenes on Roman sarcophagi ; 4. Pantomime actresses in Latin inscriptions ; 5. 'Mime' and 'pantomime': some problematic texts ; II. PANTOMIME LIBRETTI ; 6. The pantomime dancer and his libretto ; 7. Roman pantomime libretti and their Greek themes: the role of Augustus in the Romanization of the Greek classics ; 8. Virgil on the popular stage ; 9. 'et mea sunt populo saltata poemata saepe' (Tristia 2.519): Ovid and the pantomime ; 10. Seneca and pantomime ; 11. The influence of pantomime on Seneca's tragedies ; 12. Is the 'Barcelona Alcestis' a Latin pantomime libretto? ; III. THE IDEA OF THE PANTOMIME DANCER ; 13. Was pantomime 'good to think with' in the ancient world? ; 14. Lucian, rhetoric, and the protreptic genre ; 15. The metamorphosis of pantomime: Apuleius' Judgement of Paris (Met. 10.30-34) ; 16. Ancient pantomime and the rise of ballet ; Appendix: Jacob of Sarugh's Syriac Homilies on the theatre: an English translation
Their work is going to be indispensible for all students of the Roman Empire.
Rosie Wyles, Rosie Wyles, Edith Hall, University of Kent) Wyles, Rosie (Lecturer in Classical History and Literature, Lecturer in Classical History and Literature, King's College London) Hall, Edith (Professor of Classics, Professor of Classics
David Braund, Edith Hall, Rosie Wyles, David (University of Exeter) Braund, Edith (King's College London) Hall, Canterbury) Wyles, Rosie (University of Kent
Rosie Wyles, Edith Hall, University of Kent) Wyles, Rosie (Lecturer in Classical History and Literature, Lecturer in Classical History and Literature, King's College London) Hall, Edith (Professor of Classics, Professor of Classics