Netflix’s Chilling Adventures of Sabrina

Cori Mathis is professor in the Department of Cinematic Arts and director of LIGHT, an intercultural education program, and the Writing Studio at Lipscomb University.Stephanie A. Graves is lecturer in the Department of English at Vanderbilt University.Melissa Tyndall is an independent scholar and two-time Tennessee Press Award winner.

• PART 1. “A girl who was half-witch, half-mortal”: The Witches of GreendaleChapter 1: The Revised Image of the Witch: Historical Archetypes Revamped for the Contemporary Online AudienceFarhana IrshadChapter 2: The Inclusive Witch in Chilling Adventures of SabrinaDiana Celeste Etain and Cori Mathis Chapter 3: Controlling the Female Body: Foucault, Catholic Ireland, and Chilling Adventures of SabrinaShannon Hughes Spence and Cori MathisPART 2. “I want freedom and power”: Depictions of FeminismChapter 4: Proliferating Feminisms and the Irruption of the Material in Chilling Adventures of SabrinaTp CoughlinChapter 5: The Devil You Know? Feminism and Postmodern Pastiche of Satanism and the Infernal in Chilling Adventures of SabrinaAlice CapstickChapter 6: Giving Satanic and Divine Patriarchy a Run for Their Money: Hybridity, Liminality, and Female Empowerment in Chilling Adventures of SabrinaLuisa Fernanda Grijalva-MazaPART 3. “I feel more myself in boys’ clothes”: Identity and In

Responding ably to the contemporary taste for teen drama and for horror, Netflix’s Chilling Adventures of Sabrina: Hell’s Under New Management offers a timely and absorbing examination of the spellbinding Netflix show. With essays on gender, feminism and identity, as well as on genre tropes and portrayals of witchcraft, this collection makes a valuable contribution to our understanding of the important relationship between popular culture and real-world experience.