Music Production: Recording

A Guide for Producers, Engineers, and Musicians

Häftad, Engelska, 2013

Av Carlos Lellis, UK) Lellis, Carlos (Professional Audio Engineer and Producer; Head Lecturer, SAE Institute, London

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The sound recorder is the ‘mirror with a memory’ for those who listen. With it we can capture glimpses of our reality, producing ‘pictures’ as we express ourselves. These may ultimately serve as reminders of who we were and of our dreams… Your recordings are the vehicle for your compositions. Improve the artistry of your productions with this techniques guide, which focuses throughout on musicality and how your decisions affect it. Author Carlos Lellis Ferreira walks you through the recording process, bringing aesthetic considerations into each discussion. Learn visually with detailed diagrams and clear explanations of best practices. Unlike many other recording books, Music Production: Recording is organized around real-world scenarios, with details about roles and responsibilities that help you navigate through key stages of production.

Produktinformation

Utgivningsdatum2013-04-19
Mått189 x 246 x 18 mm
Vikt760 g
FormatHäftad
SpråkEngelska
Antal sidor368
FörlagTaylor & Francis Ltd
ISBN9780240522739

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Carlos Lellis holds an SAE/Middlesex University MA in Creative Media and a diploma Summa Cum Laude from Berklee College of Music. He has worked as an engineer and producer with artists such as Rosabella Gregory, Joby Talbot and Grammy Award winners Sir John Tavener and Thomas Dybdahl amongst many others. He is currently the head lecturer at SAE Institute, London, where he oversees the first year of the BA/BSc programme in Sound Production.

Introduction Why record? 1 - The Recording Environment Traditional recording studios Residential studios Home studios 2 -The Recording Team / Roles and Responsibilities Musicians Programmers Tape Op / Pro Tools Operator / Assistant engineer Main Engineer Producer A&R and Other Record Company Representatives Investors 3 -Preparing to record (Pre-Production) Before Getting into the Studio Referencing 'Demo fever' The 'reccie' Instrumentation / Types of audio signals Other signals e.g. MIDI The gear list / the sound-check chart 4 -The Tools Microphones Direct injection boxes Cables / Connectors Microphone preamplifiers EQ Dynamic processors Consoles Patchbays Effects Multi-Track Recorders Two-Track Recorders The monitoring system - Amps, speakers, headphones 5 -The Live Room (In The Studio) Problematic environments Power and distribution 6 -The Session Music theory primer - Engineering requirements (transcription examples) Musicians and equipment (instruments / microphone stands / placement) 6 -The Session Music theory primer - Engineering requirements (transcription examples) Musicians and equipment (instruments / microphone stands / placement) Interplay and interaction The sound-check Gain structure Polarity Click-tracksThe 'Cue Mix' (including effects)Studio psychology Simultaneous tracking Stereo Microphone TechniquesOverdubsThe auditioning process The Monitor MixRecording direct to 'two-track'Session notes / Track sheetsRecall sheetsThe production progress chart Meeting the deadline7 -Sound Examples 8 -Appendices 9 -Outro