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Music in India is written for the uninitiated Westerner. It is an introduction to the principles, ideas, and systems of two traditions of Indian classical music. It is geared to the listener as well as to the performer. Chapter 1 concerns the listener and the effect of music. Performance situations are described to show how theory is put into practice. Chapters 2 and 3 contrast concepts in Indian and Western classical music as well as classification of melody type, ideas about notating and notation systems used in Indian traditions are also explained. Chapter 4 describes the primary melody producing instruments. Chapter 5 contrasts Hindustani and Western concepts of rhythm and meter. Additional chapters are concerned with those performance genres which can be heard on available recordings. The final chapter combines all of the various elements by commenting on the requirements of a good musician.
Bonnie C. Wade is Professor of Music, Dean of Undergraduate Services and Chair of the Deans of the College of Letters and Science at the University of California, Berkeley. She has done extensive field work in South Asia, primarily in India, mostly in North India.
Foreword; Preface to the Revised Edition; Preface to the First Edition; List of Plates; List of Musical Examples; List of Charts; Map of India; Introduction; 1. The Listener and Indian Music; 2. The Shared Tradition: Ensemble, Pitch, Notation, and Drone; 3. Melody; 4. Melody Instruments; 5. Meter; 6. Rhythm Instruments and Drumming; 7. Performance Genres of Hindustani Music; 8. Performance Genres of Karnatak Music; 9. Musicians and Musicianship: The Performance and the Audience Contexts; Appendix: A Guide to Source Materials; Glossary; Index.