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In the latest of his books exploring a lifetime’s passion for music, bestselling author and philosopher Roger Scruton brings his immense critical faculties to bear on a panoply of different musical genres, both contemporary and classical.Music as an Art begins by examining music through a philosophical lens, engaging in discussions about tonality, music and the moral life, music and cognitive science and German idealism, as well as recalling the author’s struggle to encourage his students to distinguish the qualities of good music. Scruton then explains – via erudite chapters on Schubert, Britten, Rameau, opera and film – how we can develop greater judgement in music, recognising both good taste and bad, establishing musical values, as well as musical pleasures.As Scruton argues in this book, in earlier times, our musical culture had secure foundations in the church, the concert hall and the home; in the ceremonies and celebrations of ordinary life, religion and manners. Yet we no longer live in that world. Fewer people now play instruments and music is, for many, a form of largely solitary enjoyment. As he shows in Music as an Art, we live at a critical time for classical music, and this book is an important contribution to the debate, of which we stand in need, concerning the place of music in Western civilization.
Sir Roger Scruton is widely seen as one of the greatest conservative thinkers of the twentieth and twenty-first centuries and a polymath who wrote a wide array of fiction, non-fiction and reviews. He was the author of over fifty books including Understanding Music and The Aesthetics of Music, as well as numerous bestselling books of philosophy, history, fiction and criticism.
IntroductionPART I: PHILOSOPHICAL INVESTIGATIONS1 When is a Tune?2 Music and Cognitive Science3 Music and the Moral Life4 Music and the Transcendental5 Tonality6 German IdealismPART II: CRITICAL EXPLORATIONS7 Franz Schubert and the Quartettsatz8 Rameua the Musician9 Britten's Dirge10 David Matthews11 Reflections on Deaths in Venice12 Pierre Boulez13 Film Music14 The Assault on Opera15 Nietzsche on Wagner16 The Music of the Future17 The Culture of PopBibliographyAcknowledgementsIndexA Note on the Author
Scruton fastidiously argues for tonality and expression as significant components of musical compositions in this enlightening academic work.
Roger Scruton, University of London) Scruton, Roger (, formerly Lecturer in philosophy 1971-79, Reader 1979-85, Professor of aesthetics 1985-92 at Birkbeck College
Roger Scruton, Virginia) Scruton, Roger (Research Professor, Institute for the Psychological Sciences, Arlington, I... Scruton, Roger (Research Professor