“How do art historians write about problematic subjects? In Moses Jacob Ezekiel, Samantha Baskind offers a thoroughly researched and evenhanded account of a nineteenth-century celebrity artist whose statues and monuments are considered especially incendiary today. Rather than pigeonholing Ezekiel, Baskind skillfully grapples with the contradictions and consequences of artistic identity, then and now.”—Erika Doss, author of Memorial Mania: Public Feeling in America and Spiritual Moderns: Twentieth-Century American Artists and Religion