The patient unraveling of the complex articulations of select Indian poets and commentators is the job that David Shulman has undertaken in this pioneering effort towards the production of a history of the imagination in South India... Apart from advancing a thesis about early modern south India and the attainment there of a transfiguration comparable to the Italian Renaissance (which is in keeping with much of his earlier work), Shulman interprets for us some of the major works of the pre-modern period in relation to both other works of world literature, such as those by Montaigne or Vico, and to modern critical attitudes. We are once again joined then to the 'simple trembling life' of the image on the page, marveling at the modernity of the ancient and early modern imagination, as it leaps out of its contexts and finds its place in Shulman's argument with a luminous and, crucially, a present-day life of its own.