Monks, Bandits, Lovers, and Immortals

Stephen H. West is Foundation Professor of Chinese, Arizona State University.Wilt L. Idema is Professor of Chinese Literature, Harvard University.

• Introduction: Mending a Broken Lineage: Women, Writing, Theology; Fear & Women's Writing: Choosing the Better Part; 'A Wretched Choice?': Evangelical Women & the Word; 'My God Became Flesh': Angela of Foligno Writing the Incarnation; Speaking Funk: Womanist Insights into the Lives of Syncletica & Macrina; 'A Moor of One's Own': Writing & Silence in Sara Maitland's "A Book of Silence"; With Prayer & Pen: Reading Mother E J Dabney's "What It Means to Pray Through"; Writing a Life, Writing Theology: Edith Stein in the Company of the Saints; Writing Hunger on the Body: Simone Weil's Ethic of Hunger & Eucharistic Practice; The Body, to be Eaten, to be Written: A Theological Reflection on the Act of Writing in Theresa Hak Kyung Cha's "Dictee"; Not with One Voice: The Counterpoint of Life, Diaspora, Women, Theology, & Writing; Embodying Theology: Motherhood as Metaphor/Method; Postscript: Wounded Writing / Healing Writing.

"An exciting new resource for undergraduate teaching. The translated plays were clearly chosen for their literary value as well as their significance to the history of Chinese drama, and each is preceded by an introduction providing its historical context In their lucid introduction, West and Idema describe the historical background of early drama, discussing its urban setting, the theater, the actors, and the sources to trace the transformation of Yuan drama from urban popular performance into an elite reading form by the end of the Ming dynasty". --Kimberly Besio, Colby College, in The Journal of Asian Studies