Modern Ekphrasis

Modern Ekphrasis explores the analogical relations between modern poetry and painting in ekphrasis from Horaces mimetic ut pictura poesis tradition to Lessings temporal/spatial antithesis, and the analogys post-modern deconstruction with Derrida. The genesis of ekphrasis is demonstrated by close analytical readings of modern poems by Howard Nemerov, W.C. Williams, Sylvia Plath, and John Ashbery, mostly written on modern paintings by Paul Klee, Charles Demuth, Giorgio de Chirico, and Frank Stella. In an innovative approach, the author applies Anton Ehrenzweigs concept of unconscious scanning to a syncretic visualisation of Klees Mountain Flora. Viewed with an undifferentiated depth vision that can fix the figure and background in a single glance, Mountain Flora acquires deeper verisimilitude. The self-reflexivity of the poems which comments on their creative processes and the interrelations of ekphrasis with cognition are analysed after the critical writings of Freud, Panowsky, Gombrich, Hagstrum, Arnheim, Steiner, Ehrenzweig, Derrida, and in the light of the latest neuroscientific discoveries. Homers shield, Swifts tree, W.C. Williams pot of flowers, and Ashberys canvas create a suture within the ekphrastic poem in our imagination. This book demonstrates the evolution of literature and the humanities in our society from classicism to post-modernism which counteracted the self-alienation caused by our modern communication technology by inventing new socio-artistic circuits and new social identities.