This is the book that scholars in the humanities and human rights have been waiting for. Together, its contributors push perennial questions about the relationship between violence and the image, between seeing and acting, and between the aspirations and the limits of cosmopolitanism to new levels of understanding. Theoretically sophisticated and historically substantial, the eminently readable essays in this volume employ impeccable close readings and analysis, case studies, and empirical evidence to advance powerful conclusions regarding the role of the media and cultural texts in struggles for recognition of global suffering and, alternatively, for building cultures of human rights.