Nealon makes a strongly compelling case in this book that 'capital' and its crises have continued to pervade and magnetize much of the most cannily powerful poetry of the last century. He gives a nuanced yet succinct account of this extensive and complex history. The thoroughness of his scholarship and the trenchancy of his method enable him to perform this daunting task with authority and assurance. His study will interest scholars as well as non-academic readers. Indeed, with this book, Nealon is likely to join the select company of a handful of critics of poetry, such as Charles Altieri and Maria Damon, whom poets actually read.