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This book develops a moral Marxist aesthetics based on the work of Georg Lukács, Lucien Goldmann and Herbert Marcuse, and grounded in the aesthetic theories of German Idealist philosophers such as Hegel and Schiller.
Norman Arthur Fischer was Professor of Philosophy from Kent State University until his retirement. Since then, he has been active as a public philosopher in his local community in Vermont.
Chapter 1 Introduction.- Part I Georg Lukács’ Concept of Links between Ethics and Aesthetics in his 1933-1940 concept of Realistic Historical Novels.- Chapter 2 The Hegelian Ethical and Aesthetic Context of Lukács’ Concept of Historical and Social Aesthetic Realism.- Chapter 3 The Hegelian and Schillerian Context of Lukács’ Concept of Aesthetic Realism and Historical Novels about Class.- Chapter 4 The Hegelian Context of Lukács’ Concept of Aesthetic Realism and Historical Novels about Tyranny and Class.- Part II Romantic Marxist Art Theory’s use of Nineteenth Century Idealistic German Art Theory, Particularly Hegel’s and Schiller’s.- Chapter 5 Lucien Goldmann and Romantic Marxist Realistic Aesthetics.- Chapter 6 Herbert Marcuse and Romantic Marxist Negation and Formalist Aesthetics.
