Making Copies in European Art 1400-1600

Maddalena Bellavitis, Ph.D., is adjunct lecturer of Early Modern Art History at Boston University. She has published a monograph and several articles and essays on European Art, infrared analysis of works of art, and iconography.

• AcknowledgmentsList of IllustrationsNotes on ContributorsIntroduction to Making Copies in European Art 1400–1600: Shifting Tastes, Modes of Transmission, and Changing ContextsPeter M. LukehartEssays1 Jan van Eyck’s Arnolfini Portrait and Copies after His Woman and Her Toilette: Recollections of the Alhambra’s Constellation Halls, the Hamman, and AlchemyBarbara von Barghahn2 Models and the Practice of Drawing in Eastern Spain, 1370–1450E. Montero Tortajada3 Eyckian Icons and CopiesLarry Silver4 Copies after the Ghent Altarpiece for Spain: Four Case StudiesLeslie Blacksberg5 Following Bosch: The Impact of Hieronymus Bosch’s Diableries and Their Reproduction in the 16th CenturyMaddalena Bellavitis6 Tratta da Zorzi: Giulio Campagnola’s Copies after other Artists and His Use of ModelsIrene Brooke7 Virgin and Child with the Milk Soup after Gerard David: Series of Paintings on the Same Theme after Known ModelsCatheline Périer-D’Ieteren8 Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception: Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da VinciMari Pietrogiovanna9 Copies and Derivations of Giorgionesque Inventions: An Insight into the Visual and the Historical SourcesSarah Ferrari10 Copies of Raphael’s Mythological Paintings in the Collection of Cardinal LudovisiClaudia La Malfa11 From Workshop Master to the Artist’s IndividualityAna Calvo12 Jacopo Bassano and the Prints from Raphael’s MasterpiecesClaudia Caramanna13 Que se haga al modo y manera de [….]: Copy and Interpretation in the Visual Arts in Aragón during the 16th CenturyCarmen Morte García14 Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral AreasCaterina Virdis Limentani15 Marketing Workshop Versions in the 17th-century Dutch Art MarketAngela Ho16 Pictorial Copies in Granada during the Early Modern AgeDavid García CuetoCodaIndex

“The collected essays will be of interest to early modernists in a broad range of disciplines but may be of particular interest to those interested in the art market and cross-cultural studies.” Theresa Kutasz Christensen, in: Renaissance Quarterly, Vol. 73 , No 4 (Winter 2020), pp. 1365–1366.