Tracy C. Davis is Barber Professor of Performing Arts and Professor of English and Theatre at Northwestern University. She has published books on nineteenth-century theatre, the economics and business history of theatre, performance theory, and gender and theatre. Her latest book combines these interests in a study of two generations of Victorian activists.

• Introduction: History as Performance History; 1. Forms and Increments of Performance; 2. Change Making: Incrementalism; 3. Bildung: Leveraging Critique to Propel the Precarious into Political Life; 4. Combative Pens; 5. Experiments in Becoming.

'With her distinctive form of precision historiography, Tracy Davis has given us a vital and necessary addendum to the long history and ongoing project of abolitionism. Focusing primarily on the lives and work of three Victorians, Davis elaborates a theory of performance that situates seemingly minor forms of activism - hosting dinners and attending meetings, letter-writing campaigns, journalistic reportage, and speechifying - as fundamental to the cultivation of solidarity and to the momentum of political engagement. This is a wonderful book: meticulously researched, compellingly argued, and beautifully narrated.' Patrick Anderson, University of California, San Diego

Tracy C. Davis is Barber Professor of Performing Arts and Professor of English and Theatre at Northwestern University. She has published books on nineteenth-century theatre, the economics and business history of theatre, performance theory, and gender and theatre. Her latest book combines these interests in a study of two generations of Victorian activists.

• Introduction: History as Performance History; 1. Forms and Increments of Performance; 2. Change Making: Incrementalism; 3. Bildung: Leveraging Critique to Propel the Precarious into Political Life; 4. Combative Pens; 5. Experiments in Becoming.

'With her distinctive form of precision historiography, Tracy Davis has given us a vital and necessary addendum to the long history and ongoing project of abolitionism. Focusing primarily on the lives and work of three Victorians, Davis elaborates a theory of performance that situates seemingly minor forms of activism - hosting dinners and attending meetings, letter-writing campaigns, journalistic reportage, and speechifying - as fundamental to the cultivation of solidarity and to the momentum of political engagement. This is a wonderful book: meticulously researched, compellingly argued, and beautifully narrated.' Patrick Anderson, University of California, San Diego

Tracy C. Davis is Barber Professor of Performing Arts and Professor of English and Theatre at Northwestern University. She has published books on nineteenth-century theatre, the economics and business history of theatre, performance theory, and gender and theatre. Her latest book combines these interests in a study of two generations of Victorian activists.

• Introduction: History as Performance History; 1. Forms and Increments of Performance; 2. Change Making: Incrementalism; 3. Bildung: Leveraging Critique to Propel the Precarious into Political Life; 4. Combative Pens; 5. Experiments in Becoming.

'With her distinctive form of precision historiography, Tracy Davis has given us a vital and necessary addendum to the long history and ongoing project of abolitionism. Focusing primarily on the lives and work of three Victorians, Davis elaborates a theory of performance that situates seemingly minor forms of activism - hosting dinners and attending meetings, letter-writing campaigns, journalistic reportage, and speechifying - as fundamental to the cultivation of solidarity and to the momentum of political engagement. This is a wonderful book: meticulously researched, compellingly argued, and beautifully narrated.' Patrick Anderson, University of California, San Diego