Sarah Collins is a lecturer in musicology at the University of Western Australia. She is the author of The Aesthetic Life of Cyril Scott (2013); and editor of Music and Victorian Liberalism (Cambridge, forthcoming).

• 1. The afterlife of a 'Beaten Ghost'; 2. Sketch of a milieu: impasse and lateness; 3. Impersonality and vividness; 'Le Gai Savaire', Philip Heseltine and D. H. Lawrence; 4. Modernism, democracy and the politics of lateness: Kaikhosru Sorabji and the new age; 5. Cycles, rotation and the image: Cecil Gray's music history and H. D.'s Imagism

'The concepts of lateness and modernism in early twentieth-century culture have both received voluminous critical attention in recent years. But here is an invigorating and sophisticated book which makes a highly distinctive and indeed provocative contribution. Neglected aspects of inter-war British musical and literary modernism receive long overdue scrutiny through virtuoso readings of the work of Philip Heseltine, Cecil Gray and Kaikhosru Sorabji. In short, essential, and thoroughly enjoyable reading.' Stephen Downes, Royal Holloway, University of London