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Theo Angelopoulos is widely regarded as one of the most distinctive contemporary filmmakers and a highly idiosyncratic film stylist. His work, from the early 1970s to The Beekeeper, Landscape in the Mist, The Suspended Step of the Stalk and the recent Cannes prize-winner Ulysses' Gaze, demonstrates a unique sensibility and a preoccupation with form (notably, the long take, space, and time) and with content, particularly Greek politics and history, and notions of the journey, border-crossing, and exile. This new collection of essays surveys his entire cinematic output and presents a discussion of his major films, themes, and concerns.The contributors argue that Angelopoulos' sustained oeuvre
ANDREW HORTON teaches in the English Department of Loyola University. Among his earlier works are Russian Critics on the Cinema of Glasnost (with Michael Brashinsky) and Writing the Character-Centered Screenplay.
PrefaceIntroduction by Andrew HortonModernism, Minimalism, Melancholy: Angelopoulos and Visual Style by David BordwellAngelopoulos, Greek History and The Travelling Players by Dan GeorgakasA Tour of the Graveyard of Greek Ideals: Voyage to Cythera by Vasilis RafalidisTessellations and Honeycombs: The Beekeeper by Gerald O'GradyTheo Angelopoulos: Landscapes, Players, Mist by Michael WilmingtonThe Empire of the Journey in Voyage to Cythera by Yvette BiroTheo Angelopoulos: The Past as History, the Future as Form by Frederic Jameson"What do our souls seek?": An Interview with Theo Angelopoulos by Andrew HortonTheo Angelopoulos: Filmography compiled by Andrew HortonTheo Angelopoulos: Selected Bibliography compiled by Matthew Stevens and Andrew HortonIndexNotes on Contributors
