Klossowski, Pasolini, Gurrola

Nyhet

A Genealogy of Late Surrealist Film Theory

Inbunden, Engelska, 2026

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Beginning with an exploration of Klossowski’s unconventional approach to literary and philosophical production, Michael Newell Witte traces the international impact that Klossowski and his cohorts in the Paris Collège de Sociologie had on the work of some of the most radical artists, filmmakers and theorists of the second half of the 20th century, with a spotlight on the critical reception of surrealist concepts within the work of the Italian film director Pier Paolo Pasolini and the Mexican filmmaker, artist and theatre practitioner, Juan José Gurrola.By engaging with concepts like acinema, the tableau vivant, simulation, anti-economy and the theory of the instinctual drives, this book offers a fresh perspective on the evolution of avant-garde aesthetics, challenging traditional narratives and providing new insights into the complex intellectual history that underlies the fields of avant-garde film and film theory.

Produktinformation

Utgivningsdatum2026-04-30
Mått156 x 234 x undefined mm
FormatInbunden
SpråkEngelska
Antal sidor192
FörlagEdinburgh University Press
ISBN9781399558747

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List of FiguresAcknowledgmentsIntroduction: Why Klossowski?Part I. TABLEAUX VIVANTS: KLOSSOWSKI WITH LYOTARD1. Acinema and the Tableau Vivant 2. Negation and Mise-en-scènePart II. EXCESSIVE CINEMA: PASOLINI AND KLOSSOWSKI’S SADEAN AESTHETICS3. The Free Indirect Subjective4. Homme Entier / Integral AtheismPart III. A SACRIFICIAL ECONOMY OF THE IMAGE: KLOSSOWSKI AND GURROLA5. The Anti-Kinetic Film6. A Fraudulent Exchange7. Klossowski’s SystemPart IV. CINEMAS OF CRUELTY / THE GULLIVERIAN POINT-OF-VIEW8. Powers of the False and the Sovereign Artist9. Tableaux Vivants: Balthus and Pierre Klossowski10. Epilogue: The Gulliverian Point-of-ViewBibliography Index