'Kelly's literate and enjoyable style makes her work accessible and interesting to undergraduates and specialists alike.' - Choice 'Kelly's is a provocative but a very convincing thesis, the more attractive for its freedom from academic jargon. She has clearly profited from later twentieth-century critical theory, but is very effective in the use she makes of older insights from psychological and folklore commentators; and both her command of the demotic ephemera of Swift's day and of the bye-ways of anglophone popular culture in the two and a half centuries since his death are exemplary of Swift scholarship at its finest, of a sort we have rarely seen for decades.' - Robert Mahoney, Irish Studies Review