Jonathan Swift and Popular Culture Myth, Media and the Man

Myth, Media, and the Man

Häftad, Engelska, 2008

Av A. Kelly, Ann Cline Kelly

819 kr

Beställningsvara. Skickas inom 10-15 vardagar

Fri frakt för medlemmar vid köp för minst 249 kr.

Finns i fler format (1)

Inbunden

819 kr

Skickas inom 10-15 vardagar

Ann Kelly's provocative book breaks the mold of Swift studies. Twentieth century Swift scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century 'republic of letter', a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at print culture, the commodification of the author, and the history of popular culture, this book should provoke lots of discussion.

Produktinformation

Utgivningsdatum2008-07-27
Mått140 x 216 x 15 mm
Vikt331 g
FormatHäftad
SpråkEngelska
Antal sidor244
Upplaga2002
FörlagPalgrave Macmillan
ISBN9780230602342

Tillhör följande kategorier

Litteraturvetenskap inom Skonlitteratur
Romaner inom Skonlitteratur
Litteraturteori inom Skonlitteratur
Kulturvetenskap inom Samhalle och politik

'Kelly's literate and enjoyable style makes her work accessible and interesting to undergraduates and specialists alike.' - Choice'Kelly's is a provocative but a very convincing thesis, the more attractive for its freedom from academic jargon. She has clearly profited from later twentieth-century critical theory, but is very effective in the use she makes of older insights from psychological and folklore commentators; and both her command of the demotic ephemera of Swift's day and of the bye-ways of anglophone popular culture in the two and a half centuries since his death are exemplary of Swift scholarship at its finest, of a sort we have rarely seen for decades.' - Robert Mahoney, Irish Studies Review